Sharon Tapper, Executive Director of MMF-US
Sharon Tapper is the Executive Director of the Music Managers Forum-US, the leading trade association for artist managers and self-managed artists in the United States. Serving the music community by providing educational resources, networking opportunities and advocacy efforts on behalf of managers, self-managed artists, and the music community at large that supports them. The MMF-US is part of a larger global network, the International Music Managers Forum (IMMF) – an organization that connects more than sixty-five Music Manager Forums around the world (inc. Europe, Latin America, Asia, Africa, Australia, and New Zealand).
Prior to joining the MMF-US Tapper worked in London as the Assistant Manager at Sarm West Studios, before relocating to the U.S. where in Los Angeles she worked at both Left Bank Management and Gallin Morey Management. Shortly after moving to New York she transitioned into music publishing becoming the third U.S. employee at Kobalt Music Publishing and their VP Creative for eight years. Following that she was hired to be the SVP Music Publishing at Razor & Tie Music Publishing. Tapper was elected to serve multiple terms totaling fourteen years as Governor & Secretary of the NY Chapter of the GRAMMY’s, serving six consecutive terms as Co-Chair of their Advocacy Committee, on which she continues to diligently serve. She also served four years on the NY Chapter of the Association of Independent Music Publishers (AIMP). For ten years she Co-Funded and ran the New York City Creative Community (NYC3).
Wesley T. A'Harrah, VP Membership & Education at MMF-US
Wesley T. A’Harrah, 30, is an artist manager, marketing-tech consultant, and investor. Wesley is the founder of Hits Differently, an artist-management company whose clients include iAmTheGENIUS, Maty Noyes, Kristian Kostov, Lil Bird, Ellis Miah, and more; and Hyper Orange, a consultancy focused on helping entertainment companies, brands, and agencies build and activate the best marketing stacks. Wesley is business partners with Atlanta-based entrepreneur, rapper, and DJ, iAmTheGENIUS, in Mixtape Monopoly, a marketing agency; Monopoly Distribution, a distribution and label services company; and RARE Sound, a record label, where he and GENIUS have spent years independently operating with K CAMP—whose song Lottery (Renegade) held as the biggest song ever in TikTok for seven months and was the first song in the world to pass 15, 20, 30, and 35 million videos created with it. RARE Sound, Mixtape Monopoly and Hyper Orange are the only independent label and connected marketing agencies to have been honored with the Grand Clio for Music in 2020, where they were awarded for the campaign behind Lottery (Renegade). Wesley serves as the Vice President of Membership and Education of the Music Managers Forum-US, the 501(c)6 trade association for artist managers and self-managed artists. He holds an M.A. in Global Entertainment and Music Business from Berklee College of Music.
Jake Beaumont-Nesbitt, Head of Innovation and Education at IMMF
Jake is an artist manager from London, UK. He also advises artists and technology companies on business strategies.
Jake has worked with self-releasing and signed artists in Asia, Europe and the USA. He has taken self-funded, self-releasing artists to #2 album chart success in the Netherlands, major label deals in the UK, and leading indie label deals in the USA. With a background in financial markets, he consults for rights technology companies and rights holders: his clients have included Beyonce, Rihanna and The Clash. Jake has been part of music industry stakeholder dialogues with WIPO, EU, UK and US policy makers; and regularly speaks on artist management and music industry innovation topics around the world. Jake is Director of Innovation & Education at the International Music Managers Forum (IMMF) connecting artists and managers from 60+ countries.
As part of Project Zero, supporting ocean conservation projects, Jake was involved in the first ever launch of a social token by a registered charity, using Web3 to organize communities, including artist’s fanbases.